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Title:Time Passages: Collective Memory and American Popular Culture: Collective Memory and American Popular Culture
Format Type:Ebook
Author:
Publisher:Not Avail
ISBN:0816693307
ISBN 13:
Number of Pages:326
Category:Non fiction, Cultural studies, Reference, Music, History

Time Passages: Collective Memory and American Popular Culture: Collective Memory and American Popular Culture by George Lipsitz

PDF, EPUB, MOBI, TXT, DOC Time Passages: Collective Memory and American Popular Culture: Collective Memory and American Popular Culture Probes postwar AmericaOCOs complicated relationship between historical memory and commercial cultureOCopopular television music and film

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Midnight at the Barrelhouse: The Johnny Otis Story, Footsteps in the Dark: The Hidden Histories of Popular Music, Rainbow at Midnight: Labor and Culture in the 1940s, Class & Culture in Cold War America: A Rainbow at Midnight, American Studies in a Moment of Danger, The Possessive Investment In Whiteness, A Life In The Struggle: Ivory Perry and Culture of Oppostion, Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place, Time Passages: Collective Memory and American Popular Culture, How Racism Takes Place
In a world tour that touches down in Havana Port au Prince Kingston Budapest Paris London New York Los Angeles and Tokyo George Lipsitz explores the fusion of immigrant and mainstream cultures to be found in world music including rap jazz reggae zouk bhangra juju swamp pop Puerto Rican bugalu and Chicano punk, No description available, Most pop songs are short lived They appear suddenly and if they catch on seem to be everywhere at once before disappearing again into obscurity Yet some songs resonate more deeply often in ways that reflect broader historical and cultural changes br br In i Footsteps in the Dark i George Lipsitz illuminates these secret meanings offering imaginative interpretations of a wide range of popular music genres from jazz to salsa to rock Sweeping changes that only remotely register in official narratives Lipsitz argues can appear in vivid relief within popular music especially when these changes occur outside mainstream white culture br br Using a wealth of revealing examples he discusses such topics as the emergence of an African American techno music subculture in Detroit as a contradictory case of digital capitalism and the prominence of banda merengue and salsa music in the s as an expression of changing Mexican Dominican and Puerto Rican nationalisms Approaching race and popular music from another direction he analyzes the Ken Burns PBS series i Jazz i as a largely uncritical celebration of American nationalism that obscures the civil rights era s challenge to racial inequality and he takes on the infamous campaigns to censor hip hop and the radical black voice in the early s br br Teeming with astute observations and brilliant insights about race and racism deindustrialization and urban renewal and their connections to music i Footsteps in the Dark i puts forth an alternate history of post cold war America and shows why in an era given to easy answers and clich d versions of history pop songs matter more than ever br br George Lipsitz is professor of black studies and sociology at the University of California Santa Barbara Among his many books are i Life in the Struggle i i Dangerous Crossroads i and i American Studies in a Moment of Danger i, No description available