Critics Consensus: Deft direction and strong performances from its all-female cast guide The Descent, a riveting, claustrophobic horror film., "A Descent into the Maelstrm" is an 1841 short story by Edgar Allan Poe. In the tale, a man recounts how he survived a shipwreck and a whirlpool., A closer understanding of how seven lauded South African cricketers chose to step into the dark side never to return, A wife's gradual descent into sex with a stranger., Russell Ira Crowe was born in Wellington, New Zealand, to Jocelyn Yvonne (Wemyss) and John Alexander Crowe, both of whom catered movie sets. His ..., Ballerina's descent into madness could have been triggered by emotional stress, bulimia and competitive world of ballet., descent group - a kin group whose members are recruited by one of the principles of descent; e.g., matrilineal, patrilineal, etc. deviance - to not follow the norms ..., As well as being a scientific and technical triumph, the amazing journey of Rosetta and its lander Philae also captured the worlds imagination ..., Sinan: Most celebrated of all Ottoman architects, whose ideas, perfected in the construction of mosques and other buildings, served as the basic themes for virtually ..., Illuminati singer Katy Perry announced that she is not a Christian in an interview with Marie Claire. This article examines her descent.69002 epub books 69000 epub books
Detail books The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas Hardy
The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas Hardy The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism.